![]() The album rewrote the rules of music production, introducing new approaches to elements such as orchestration, structural harmonies, the role of producers within the industry, and the use of recording studios as an instrument. As such, it physically could not be replicated live. ![]() An early concept album, it exhibited a diverse array of influences (pop, jazz, exotica, classical, etc.) and Wall of Sound-based compositions containing elaborate vocal harmonies, found sounds, and instruments as far left-field at the time as bicycle bells, the theremin, string sections, and beverage cans. Promoted in the UK as "the most progressive pop album ever", Pet Sounds broke new sonic ground for pop and rock music, and was the first time a group dedicated a whole LP to breaking from the traditional small-ensemble rock band format. Today, it's a routine pick for the single greatest album ever recorded, and for understandable reason: it would not be hyperbole to state that a multitude of fundamental practices in the popular music of today would not exist without Pet Sounds. While the album initially had only modest sales and reception in the US, it was an enormous success in the UK, scoring hits with such classic songs as "Wouldn't It Be Nice", "Caroline, No", "Sloop John B." and "God Only Knows". Most of it was recorded by Brian Wilson with the group of Los Angeles session musicians known as The Wrecking Crew. It was released on through Capitol Records. ![]() Pet Sounds is the eleventh studio album by The Beach Boys. For more about Paul's love for this album, go here. Paul McCartney, interviewed by David Leaf, 1990. ![]()
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